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CIA, Israeli Mossad Financed 80s Hip Hop To ‘Corrupt American Youth’

Another member of the Satanic Jewish Cohen bloodline is Lyor Cohen. Lyor is an Israeli American who for the past 30 years has controlled the “gangsta-rap” culture, mentoring rapers such as Jay-Z who together with Dame Dash founded: “Roc-a-fella-Records,” named after the Luciferian Rockefeller Family. In 2014, Dame Dash blamed Lyor Cohen for the break up Roc-a-fella-Records amongst many other things. After graduating from the University of Miami in 1981, he worked for the Beverly Hills office of Bank Leumi, an Israeli Mafia MOSSAD financial apparatus lead by Ivan Boesky. This Mossad controlled network included philanthropies such as the ‘United Jewish Appeal’ (UJA) and the ‘Jewish National Fund’. Who is Ivan Boesky? Ivan Boesky was an employee for the U.S. Information Agency (USIA) in Tehran, Iran. It’s here where Boesky established a partnership with Israeli Mossad arms smuggler, ‘Yacob Nimrodi’ in Teheran, Iran. Did you catch his last name? ‘Nimrod’… If you would like to understand the ancient relationship between Talmudists and the Luciferian, Babylonian Nimrod please read my book at, AmerikaBook.com. Yacob Nimrodi was the main weapons supplier for the Shah and Khomeini. Nimrodi was also a central figure in Israeli General, Avraham Bar-Am’s, arms smuggling network.” – Freud’s Mafia: Sigmund Freud’s Crimes Against Christianity, p. 197

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John Homeston, a retired CIA agent, has admitted this week on National Russian Television (NTV) that the CIA was behind the creation of the 1980s hip hop scene and financed major hip hop acts including NWA, Afrika Bambaataa, and Grandmaster Flash & the Furious Five.

The government at the time spent “big money, serious money” on this covert operation destined to “further division” and “corrupt the American youth to nihilist, anti-establishment and anti-American ideologies”, he explained in a half hour interview broadcast on national television.

Famous hip hop songs of the legendary hip hop outfit NWA were even scripted by a team of psychologists and war propagandists of the CIA. “F#ck the police,” and “When I’m called off, I got a sawed off / Squeeze the trigger, and bodies are hauled off,” and other nihilist and anti-establishment lyrics were intended to unleash a wave of cynicism towards authorities, promote the use of heavy drugs, and entice the youth with revolutionary, counter-establishment ideas.

The retired CIA agent claims the social engineering maneuver was “extremely successful.“

“We understood at the time that music was a powerful means of propaganda to reach the youth,” explained the 77-year-old man.

“Our mission was to use teenage angst to our advantage and turn Generation X into a decadent, pro-drug and anti-establishment culture that would create uprisings and further division within society. We even infiltrated mainstream radio to promote their music and reach millions of people everyday,” he admitted, visibly proud of the accomplishment.

“For many of us in the CIA, infiltrating the 1980s hip hop scene was one of the CIA’s most successful experiments of propaganda to date,” he acknowledged during the interview.

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